ABOUT MY NAME


The pronunciation is “TET-soo-roh HOH-shee  Pronouncing my name may be giving you a hard time.


HERE IS MY COLLECTION OF MISSPELLINGS AT COFFEESHOPS!


Tetsuro(哲郎) means:  Tetsu哲=Philosophy, Ro郎=Man

Hoshii(星井) means: Hoshi (星)=Star, I = A Well



So, it sounds like: A philosopher stands next to a well on the star. Sounds something like The Little Prince, I think. However in reality, though, my parents named me for a popular Japanese manga called Galaxy Express 999 by Leiji Matsumoto. The main character's name is Tetsuro Hoshino (星野 鉄郎).

In conclusion, please try to say my name. If you think it’s too difficult, just say, "Tootsie Roll”. Because “Tetsuro" sounds like "Tootsie Roll".

Who am I?


That is probably a lifelong question for everyone. Trying to understand who I am may be part of the meaning of life itself.


I consider myself a creative person, but I do not use the word “creative” lightly. Today, creating things has become easier, faster, more convenient, and more shareable. Often, the goal is to make something that gets immediate attention or goes viral. I am not against that, but it is not really what motivates me.


For me, there is a difference between looking at something for a second and spending time with it. I like art and music that make me stop, observe, feel, think, and let the experience settle somewhere inside my brain and body.


I like creating my own art and music, but I also enjoy the process behind it: developing an idea, making a plan, solving problems, building things step by step, and seeing a project through to the end. I find a lot of satisfaction in being able to take responsibility for many parts of a project myself.


At the same time, I consider myself a good collaborator.


Over the years, I have worked in very different environments. I worked at a Disney theme park in Tokyo for three years, worked as a translator for a CNN documentary channel, and have collaborated with musicians, performers, architects, artists, and other creative people on composition, arranging, performances, exhibitions, and other projects.


Working across different fields has taught me that a good idea is only the beginning. You also need to communicate clearly, listen carefully, understand what other people need, adapt when something changes, and find practical ways to make an idea real.


I like people, especially people who are curious, open-minded, kind, observant, and willing to have a real conversation. Those are also the qualities I look for in the people I collaborate with.


I like being social, and I also like being completely private. I need both. I think most things in life are about finding the right balance.


I naturally choose environments where people can meet, exchange ideas, and treat each other with respect and understanding, while also respecting each other’s space and privacy. Today, I live in a small community in Brooklyn where I know many of the people around me, and where conversation, creativity, and everyday life naturally overlap.


I make music. I make art. I build things. I like ideas, but I also like figuring out how to make those ideas work.


That is probably the simplest way I can describe myself.


Biography as Composer,

Pianist and Arranger


Tetsuro Hoshii is a Japanese composer, pianist, and arranger based in Brooklyn, New York. His music and arrangements have been heard at Arthur Ashe Stadium, Tanglewood, and Carnegie Hall, and performed by musicians of the Metropolitan Opera Orchestra and Boston Symphony Orchestra. Moving freely between contemporary jazz, chamber music, improvisation, and American musical traditions, his work is defined by a strong melodic identity, rhythmic curiosity, and an instinct for bringing different musical worlds together.


In 2023, Hoshii co-arranged America the Beautiful / Lift Every Voice and Sing with John Sheppard for the US Open Men’s Singles Final at Arthur Ashe Stadium. The arrangement was performed by Grammy Award-winning baritone Will Liverman, Metropolitan Opera Music Director Yannick Nézet-Séguin on piano, and members of the Metropolitan Opera Orchestra, and was broadcast live on ESPN.


His concert music has been performed at Tanglewood and in New York by ensembles including Decoda and the New York Symphonic Brass. His collaboration with the Boston Cello Quartet, formed by members of the Boston Symphony Orchestra, began with the world premiere of Waltz of the Black Ants at Tanglewood in 2011. The work was later recorded on the quartet’s album Pictures, which reached the iTunes Classical Top 50. Hoshii went on to write additional works for the ensemble, including The Life of Birds and Four Crayons.

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Hoshii studied at Senzoku College of Music in Japan before attending Berklee College of Music, where he studied jazz composition and received the Wayne Shorter Award. At Berklee, he presented his own music with the Tetsuro Hoshii Orchestra at the Berklee Performance Center, writing for both big band and string orchestra.


After moving to New York, Hoshii continued to develop projects that blur the boundaries between composition and improvisation. In 2015 he founded The Doggy Cats, a six-piece brass ensemble whose music combines jazz, brass-band traditions, and a playful sense of musical storytelling. Their 2019 album Daikon Pizza received international radio exposure, including NPR’s Fresh Air.


In 2026, Hoshii released Everything is Alive, a 20-track solo piano album centered on improvisation. Recorded in a single session on a Fazioli piano at Big Orange Sheep in Brooklyn and mixed and mastered at Rainbow Studio in Oslo, the album reveals a quieter side of his work, where lyrical improvisation, contemporary jazz, and modern classical language meet. The album was reviewed by the UK’s Jazz Journal, which noted its reflective and tranquil character.


Hoshii is also the creator of Circle Score, an experimental music-reading and performance system developed during an artist residency in Norway in 2024. Across his work as a composer and pianist, he remains interested in music as something alive: structured but flexible, serious without losing humor, and always open to surprise.